With motherhood as a point of departure, Aftermath explores the sense that ‘something is over’ and questions what comes next.
During the making of the show, Recacha carried out an outreach programme for mothers and their small children, immersing herself again in that period of early childcare and its impact on the mother’s sense of identity and agency.
Inspired by Recacha’s own experience of motherhood and the social isolation that can accompany it, Aftermath questions what it means to live in a ‘post-everything’ world – post- feminist, post-truth and now post-time. The show imagines a world where the characters are dead, where change is no longer an option and no future awaits. Is motivation possible in such a world?
The audience is seated within the performers’ arena. They are part of the dancers’ journey and yet they are not directly involved. Aftermath comments on our reluctance to act in the face of certain situations, and on the normality of this passivity.
“giddy, ridiculous and amusing two-hander”
“Eleanor Sikorski and Charlotte Maclean weave patterns of wit and absurdity in Eva Recacha’s quietly radical show”
“The pair heat up to a giddy, edge-of-madness energy reminiscent of early French and Saunders.” – The Guardian
“It’s perfect casting with Sikorski as the acerbic, calculating wit and Mclean as the mercurial creative force; their two trajectories start on a fragile thread and fuse together to the point of familiarity and mutual admiration.”
“With its cross between The Private Life Of and Monty Python, Aftermath is as much an exploration of ennui as a picture of the divergent elements of artistic endeavour.” –
Writing About Dance
Coreography: Eva Recacha in collaboration with Charlotte Mclean and Eleanor Sikorski.
Sound design: Alberto Ruiz Soler
Lighting Design: Jackie Shemesh
Set and Costume design: KASPERSHOPHIE
Performance: Charlotte Mclean and Eleanor Sikorski
Co-writers: Charlotte Mclean, Eleanor Sikorski, Eva Recacha
Dramaturg: Simon Ellis
Production Manager: Emma Wenlock-Bolt
Producer: Johnny O’Reilly
I call myself a sound artist and composer. After completing my BA in Sound Arts and Design at the London College of Communication in 2009 I have specialised in creating compositions for contemporary dance shows and am part of several works that tour internationally. I also work as a light and sound technician which led me to design lights for some shows.
Having worked mainly with dance for some years now, I am keen to explore new contexts for my work and acquire new skills. I completed a masters in Information Experience Design at the Royal College of Art in 2015 where I began exploring installation, interactivity and generative art.
My practice investigates how sound affects our perception of a given reality and the ways that people categorise their sonic environment. I am also interested in how listening spaces are constructed and the possible uses of these spaces. I constantly test and further these investigations through creating new experiences for a variety of audiences. My work regularly interrogates the listener’s comfort zone; for me, every composition invites an audience into a journey, a game, a new place to explore and enjoy.